They use tracking shots when the man is running away and then that becomes an over the shoulder shot. As they are in the room, they use a track around shot as they are in a fixed position and a tracking shot as they all enter creating a more chaotic feel in the scene. As the three men are talking in the room it uses a medium shot, with them all in the centre of the screen. As they move across the room they are followed by a tracking shot, bringing the viewer physically into the world of the subjects. As the actor is reading from the bord, the director uses as close up shot of just his face as we seem to be behind the screen as we see the words go in front of his face making this a far more intimate and tense shot at this moment in the film.
In the foreshadowing scene of the film, the colours are far more muted showing the contrast between the present and future and that it is far more hazy and faint. The director uses a tracking shot as the Mother and the son leave the kitchen to show disconnection from the Father.
The foreshadowing scene then changes abruptly back to the office where the director uses a tilt shot focusing on his hand movements and then back to his face. The shot then changes to a medium closeup shot of bodies in the water, half submerged.
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